擁抱與超越——專訪藝術先行者陳世英
在2023年的金秋9月,倫敦佳士得舉辦了享譽國際的珠寶藝術大師陳世英(Wallace Chan)迄今為止在歐洲最大型的個展《時間輪盤(The Wheel of Time)》。展覽的名稱富含深意,不僅回顧了陳世英過去五十年在珠寶領域取得的輝煌成果,同時也展現了藝術家當前在藝術雕塑方面的最新探索。此外,展覽特別呈現了兩位受陳世英啟發的香港年輕藝術家的影像作品,展現了藝術的傳承與創新的力量。 藝術家的大型個展往往能很好地展示其整個創作生涯的發展脈絡,陳世英的這次倫敦個展也不例外,他的「六大發明」——世英切割(Wallace Cut)、鈦金屬創作技術、翡翠切割潤光專利技術、石鑲石工藝、「真空妙有」技術、以及比鋼堅硬五倍的世英陶瓷——分別通過六個「太空艙」展櫃進行陳列,有如一個個時間膠囊,帶領觀者回顧那些讓人嘆為觀止的技術革新。展覽上的其他作品亦生動展示了這六項核心技術是如何相得益彰地创作出一件又一件令人嘖嘖稱奇的精彩佳作。
弗蘭克·奧爾巴赫 : 頭部炭畫
“The head is included in the body, but the face is not…. The head, even the human head, is not necessarily a face. The face is produced only when the head ceases to be a part of the body…”
包蓉是我
RONG BAO IS ME 23 FEB - 31 MARCH 2024 GALLERY 4,Saatchi Gallery “All forms of allure come to our attention through surprise or fascination, since we are not exactly certain about what it is we are dealing with, though we witness to
Modernity in the second half of the 19th century formed itself in opposition to tradition as both an aesthetic concept and as social experience. It was understood as a new way of experiencing temporality in the form of the forever
“Beauty and the devil are the same thing.’--Mapplethorpe Time has now lapsed since his premature death (1989) so we might be inclined to ask if a survey show such as this might shed a new perspective on his work, or does